Tag: mako shark II

Corvette’s Founding Fathers, Larry Shinoda, Pt 5 of 6: Sting Ray & Mako Shark Designer

Published on by Scott

Larry Shinoda: Genius Designer/Stylist and Self-Confessed Malcontent

Larry Shinoda was the perfect designer/stylist for GM VP of Styling Bill Mitchell. In the same way that Mitchell fit with Harley Earl, Shinoda clearly understood what Mitchell wanted. As VP of Design, Mitchell’s job was to hold the vision for what he knew would be new and fresh, then lead his designers and stylists to bring his vision into reality. Corvettes were always Mitchell’s pet projects and he was famous for saying, “Don’t get cocky, kid! I design Corvettes around here!” Mitchell’s Corvettes were about design, speed, power, and performance. And for that, he needed a designer/stylist equal to Duntov’s engineering/racing prowess. Larry Shinoda was his man.

Shinoda was a self-confessed malcontent, and proud of it. As a kid, Larry was always drawing cars with pencil stubs he found. At the age of eight, he did a large color painting that years later hung in the Los Angeles Museum of Art. Just after his father died when he was 12-years-old, Larry and his family were swept up and sent to a Japanese internment camp. No doubt that this helped form his surly persona. While in the camp, Larry designed and built a reclining chair for his grandmother from wooden crates. After two years of internment, Larry and his family relocated to Grand Junction, Colorado to help with the family nursery business. But rural life wasn’t for Larry and he quickly relocated back to Los Angeles to finish school.

Late 1940s California was the birthplace of the hot rod car culture and Larry was all-in! He built hot rod Ford coupes and roadsters called “Chopsticks Special” that he street raced, drag raced, and speed raced on the dry lakebeds of California’s Mojave Desert. When he wasn’t racing, Shinoda worked at the Weiland Company to put himself through two years at Pasadena City College. After college Larry had a two year stint with the Air National Guard and spent 16-months in Korea.

Shinoda knew that if he was ever to be a designer, he’d have to go to the Art Center of Design in LA. What seemed like a great idea quickly went sour, and Larry was kicked out! Shinoda only wanted to design cars, and saw no value in watercolor and life drawing classes. One of Larry’s former instructors called him when a rep for Ford was interviewing for designer positions.

Shinoda put together his portfolio and showed up for the interview in his attitudinal car-guy gear; peg-let jeans, and a loud Hawaiian shirt over a Howard Cams t-shirt. The Ford rep was so impressed with his work that Larry was offered a higher-than-normal salary, plus Ford paid to transport his hot rod to Michigan! But before going to Ford, in 1953 Shinoda set the SGTA Bonneville Nations D-Class Speed Record with a two-way average speed of 166-mph in his Chrysler-powered roadster. Then in 1954 Larry won the Fuel Roadster class at the first NHRA Nationals in Great bend, Kansas. Yes, gasoline was in his veins.

Shinoda spent a year with Ford learning the ropes of a big corporation and picking up a lot from fellow designers. Not contented with Ford, Shinoda jumped over to Packard where he befriended John Z. DeLorean. Earlier that same year, Larry was part of the John Zink crew that raced and won the 1956 Indy 500. Naturally, Shinoda designed the body and the car’s paint scheme. Shinoda and DeLorean quickly realized that Packard was a sinking and jumped to GM.

Hired as a senior designer by Harley Earl in late 1956, life inside GM was uninspiring. After his short orientation, Shinoda was transferred to the Chevrolet group where his unique flat rear fin design was incorporated into the 1959 Bel Air. Larry even showed how to manufacture the unique shape by welding the upper and lower parts of the shape and covering the weld with chrome trim. Larry then had a brief stint in the Pontiac design group and worked on the Wide Track Pontiacs and the 1960-1961 Tempests. To counter the doldrums in the Buick and Cadillac groups, Larry rendered the big cars with racing numbers, stripes, and mags. His bosses were not amused!

Sometimes providence has to bring the right people together. One day on the way home from work, Shinoda pulled up to a stoplight next to a supercharged 1958 Pontiac with VP of GM Design, Bill Mitchell behind the wheel. Larry let Bill get ahead of him, then totally smoked the VP! A few days later when Mitchell was in the Chevrolet studio, he asked who owned a white 1956 Ford. The studio boss said, “Hey Larry, don’t you have a white ’56 Ford?” Shinoda confirmed that indeed, he was the guy that dusted off Mitchell. Bill asked Larry to bring his car into the garage so he could check out the designer’s machine. When Mitchell looked under the hood, he nearly had a heart attack! The engine was a Bill Stropp race-prepared 352 with dual quads, headers, NASCAR shocks and a full roll cage. It was essentially a racecar! That was IT! Mitchell had found his go-to design/styling man.

Mitchell’s Studio X was the perfect place for Shinoda and it was there that he did all of the Corvette work he’s loved and admired for. Larry’s first project for Mitchell was to take Peter Brock’s 1957 Q-Corvette design and translate it to fit the mule chassis of the 1957 Corvette SS Racer. The result was the 1959 Stingray Racer. Mitchell erroneously thought the shape would act like an inverted airfoil and push the car down. The front-end lift was terrible and was unfortunately inherited by the C2 Sting Ray. Before the C2 Sting Ray project, since Shinoda had already designed the body of a winning Indy 500 car, he was tasked to create the body for Duntov’s Indy car-like CERV-I R&D vehicle.

Not only did Mitchell’s Stingray Racer win a championship, it was such a hit with the crowds, the design had to be the next Corvette, and Larry Shinoda was the man for the job. Translating a sketch into a racecar body is one thing; making the shape into a real automobile is a whole other thing. The only carryover parts were the engine and transmission, everything else had to be designed and styled. Although the Sting Ray was Mitchell’s vision, Shinoda and his team worked out the visual details.

 

Shinoda was the perfect man for the time. Design studios all over Detroit were white-hot with secret advanced design projects and a steady flow of concept cars. The following cars all have “Larry Shinoda” baked into their DNA, and they all still look good today; 1959 Stingray Racer, 1960 CERV-I, 1962 Corvair Super Spyder, 1962 Monza GT, 1962 Monza SS, 1962 Mako Shark-I, 1963-1967 Sting Ray, 1964 GS-2b, 1964 CERV-II, 1964 Rear-Engine XP-819, 1965-Mako Shark-II, 1966 Mako Shark-II, 1965-1966 and 2D, 1967 Astro-I, and the 1968-Astro-II.

Larry Shinoda was well rewarded for his contributions. Just before the Mako Shark-II project, Larry was promoted to Chief Designer for Special Vehicles, where he coordinated efforts with Frank Winchell’s Chevy R&D group and Vince Piggins Performance Group. But by 1968, the self-confessed malcontent left GM to work with his friend Semon “Bunkie” Kundsen, the new president of FoMoCo. Larry’s new position at Ford was Executive of All High-Performance and Show Vehicles. Shinoda was responsible for the Boss 302 and 429, the Torino Talladega, Cougar Eliminator, the King Cobra, the Torino Design Study, Cyclone Spoiler II, and the Mustang and Torino pace cars. But life inside Ford was more turbulent than GM, and after 16 months, Knudsen and Shinoda were fired. The Shinoda/Knudsen team then formed RV company RecTrans, which was soon bought by White Motor Company, with Knudsen as president.

The last chapter of Shinoda’s career began in 1976 when he created Shinoda Design Associates, Inc, with a staff of designers, clay modelers, technicians, engineers, and fabricators. Shinoda’s team worked to help client’s profitability with excellent design that would be appealing to their client’s; trucks, boats, motorcycles, golf equipments, products. Larry’s last Corvette project was the Shinoda/Mears Corvette body kit.

Larry’s older sister Grace had this to say about her famous brother, “Creative people take risks. They see things in new ways that the establishment doesn’t agree with.” She certainly knew her brother very well.

Larry passed on November 13, 1997, but on January 6, 1997 he completed and signed a color rendering of a C5 Corvette Split-Window Coupe with C2-style front and rear fender humps and rear bumper cover. Clearly, Larry wanted to see more “Sting Ray” in the then-new C5. Unfortunately, Larry health issues got in the way and the project never went past the illustration. The following year, Larry was inducted into the National Corvette Museum Hall of Fame. And in 1995 Larry was inducted into the Mustang Club of America’s “Mustang Hall of Fame”. Larry Shinoda was outspoken (often to his own determent), candid, humorous, and firmly believed in whatever he was doing. – Scott

 

 

 

 

 

Founding Fathers Pt 3 of 6: Bill Mitchell, Creator of the Corvette Look

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When Harley Earl’s XP-122 “Corvette” debuted at the 1953 GM Motorama, the clean design was way ahead of cars of the day. The look reflected Earl’s style; long hood, low, and rounded – a simple yet beautiful design. Earl was five years away from retirement and had already handpicked his replacement, William L. Mitchell. Bill learned the corporate ropes from Earl, and while a faithful lieutenant, had his own unique style that completely changed the look of the Corvette.

This is Mitchell and the 1959 Stingray Racer. Note the red paint and clear hood scoop. This is what the car looked like when it was in the Elvis Presley movie, “Clambake”. See the photos of The King and the 1959 Stingray Racer at the bottom of this post.

One of Mitchell’s famous quotes is, “I got gasoline in my veins!” Mitchell’s father owned a Buick dealership, so Bill grew up surrounded by cars. Born on July 2, 1912 in Greenville, Pennsylvania, as a kid Bill was always drawing cars. His father sent him to Carnegie Tech to learn to draw something besides cars, but it didn’t work. After college Bill got a job at Collier Advertising as an office boy, went to night school for art, and quickly worked his way into the art department. Still “drawing cars”, Bill befriended Sam, Miles, and Barron Jr. Collier with the common interest in, you guessed it, cars.

On the weekends Bill would hang out with the Colliers at their Tarrytown, New York estate, between the Rockefeller and Stillman estates. The guys had a blast roaring around the grounds in MG sports cars. The Collier brothers were so into racing, they started the Sports Car Club of America, and their pal Bill was their official illustrator. Walter Carey, an industrialist and friend of Harley Earl, saw some of Bill’s illustrations and asked him if he ever considered designing cars. Bill answered, “No.” Carey suggests Bill send him some illustrations to forward to Earl. This was the summer of 1935 and by December, Harley Earl hired Bill Mitchell to work as a designer at General Motors. Bill would work for GM until he was 65 years old.

Bill was a natural and a quick learner. A year later, he was in charge of the Cadillac studio! Through the 1930s to the mid-1950s Mitchell created the 1938 Cadillac Sixty Special, the 1949 Cadillac Coupe DeVille, the 1955-1957 Bel Airs, and many other now-classic cars. Mitchell got along very well with Earl and was never on the receiving end of an Earl’s volcanic dress-downs; Bill knew how to “go-along to get-along.” Mitchell liked Earl’s Corvette and since he knew that Earl’s design kingdom would soon be his, had his own vision for a future Corvette.

On May 1, 1954 Mitchell was promoted to GM Director of Design, but still under Harley Earl. To save the struggling Corvette, Earl was directing the next Corvette based on his Olds “Golden Rocket” Motorama show car. The new designs were classic Earl: very rounded, with a bulbous top, a split rear window, and fins. But GM decided to drop Earl’s new concept to reevaluate the Corvette.

Here’s Bill Mitchell with his two favorite fish – the 1959 Stingray Racer and the 1961 Mako Shark-I. Snappy coat, Bill!

Meanwhile, Mitchell’s group was working on what would later be called the “Q-Corvette”. Upon his arrival back from the 1957 Turin Auto Show, Mitchell gave design studio manager, Bob Veryzer’s team photos from the show, with instructions that he liked the bulging fenders and sharp beltline of the Abarth 750 and the Abarth Alfa 1000 streamliner. Mitchell was looking for something new and different. He told the group of designers, “I want this form to be a complete breakaway from what we’ve seen around here in the past.”

Peter Brock was part of the team and was the youngest designer ever hired by GM. Brock described Mitchell as, “… garrulous, rather extroverted and often profane when he wanted to emphasize a point. Mitchell made sure everyone knew he was the boss, but still loved being “one of the guys.” Mitchell closed out his informal meeting saying, “I’ll be back in a few days kids; show me what you’ve got.” The young designers created dozens of sketches with Mitchell keying in on a Peter Brock sketch. The design process went around and around, yet each time Mitchell came back to Brock’s drawing, which eventually became XP-87, the Q-Corvette, which eventually became Mitchell’s 1959 Stingray Racer, but as a roadster.

Mitchell’s Stingray Racer was another chapter in his feisty career. After his promotion to VP of Design and despite GM’s racing ban, he indulged himself by “buying” the mule chassis of the 1957 Corvette SS, and had his guys adapt the Q-Corvette body to the chassis so that he could go racing. In a large meeting, GM president John F. Gordon said, “I thought everyone knew we were out of racing.” Later Mitchell asked Gordon, “Were you talking about me?” Gordon replied, “Damn right I was!” Mitchell asked. “Do I have to quit?” Gordon snorted, “You’ve got to quite right now!” Bill wrote Gordon a letter explaining that he got his job from racing, because that’s what he did – like a doctor going to conventions. Later Mitchell asked Gordon if he’d read the letter and Gordon replied, “I sure as hell did. You’re a good salesman. You can go ahead. Keep it off the property and spend your own money.” Yes, Bill dodged a bullet! Mitchell raced the car for two years and won a championship with no external marking besides, “Stingray”. The fan response was so intense; the next Corvette had be the Stingray.

1963 was a banner year for Bill Mitchell’s cars, as the Sting Ray and his “personal luxury car” the Buick Riviera both arrived. Like the Sting Ray, Mitchell didn’t lay down a single line himself, he knew what he wanted and gave direction until he saw what he was thinking. His instructions for the Riviera were that he wanted to combine a Rolls Royce with a Ferrari. That interesting mix turned into another Mitchell classic.

As soon as the 1963 Sting Ray released, Mitchell got started on the next new Corvette. When he brought in his team of advanced designers, lead by Larry Shinoda, he told them he wanted, “…a “narrow, slim, selfish” center section and coupe body, a prominently tapered tail, an “all of one piece” blending of the upper and lower portions of the body, and prominent wheels with protective fenders that were separate from the main body yet grafted organically to it.” While that sounds obtuse, it does describe the Mako Shark-II. When the Mako Shark-II was shown to management in April 1965, it was unanimous, the next Vette had to be the shark. Outrageously, they wanted it as a 1967 model.

Bill Mitchell’s personality was as intense as his designs. Mitchell didn’t hold division general managers in high esteem, and he hated engineers trying to be designers. He once told a general manager, “I don’t tell you how to make your car or run your plant. Keep your damn nose out of design.” Bill didn’t like smaller cars and once said, “It’s hard to tailor a dwarf.” Mitchell detested focus groups and committees and said, “You can’t design by committee. You have to say, “This is what I want to do.” On the same topic, he said, “Frank Lloyd Wright did not go around ringing doorbells asking people what kind of houses they wanted.”

Many that worked with Mitchell admired him greatly. Designer Roy Lonberger described bill as, “The most authentic man I ever met. His focus never changed, his design vision was laser clear. He changed designs with complete responsibility to design a car. He delegated responsibility, but never abdicated his own. You always knew where you stood with Mitchell because he told you.” Larry Shinoda got along wonderfully with Bill, but Duntov, now so well. They had a famous blowout when Zora came into Bill’s studio complaining about the Sting Ray’s split window. Incensed that a lowly engineer would demand he change his design, a shouting match ensued. Mitchell called Duntov “Zorro” and Duntov called Mitchell a “red-faced baboon”! Duntov was persona-non-grata in Mitchell’s studio for a long time. Designer Robert Cumberford said, “I liked him because he was enthusiastic about things, but he could be crude and vulgar.” Chuck Jordan, eventual VP of Design said, “He certainly loved women. Bill once told me, “If God made anything better than a woman, he kept it for himself.”

When Mitchell retired in December 1977, GM’s upper management decided that never again would they allow a VP of Design with so much power. Mitchell’s successor, Irv Rybicki was totally unlike Bill – some called him a “Yes Man” claiming that’s why 1980s GM’s cars were so boring. A few years before his death in 1988, Mitchell has this to say about the C4 Corvette, “That square box is pretty near plastic… the instrument panel – Dracula’s dressing room… it rides like a truck… it isn’t a style car, it’s an machine car… engineers are running it. Earl would never let that – I would never let that happen, and I condemn the guys for it!” He also said, “My time is over.” Fast forward to the Tom Peters C6 and C6 design era and I believe Bill Mitchell would approve. – Scott

Corvette’s Founding Fathers, Pt. 1 – Harley Earl, CLICK HERE.

Corvette’s Founding Fathers, Pt. 2 – Ed Cole, CLICK HERE.

Here’s Elvis Presley and the 1959 Stingray Racer from the 1967 movie “Clambake”.

Hanspeter Boehi’s REBORN 1965 Mako Shark-II Corvette – VIDEO

Published on by Scott

Hanspeter Boehi from Muenchenstein, Switzerland builds a spot-on replica of the most important concept Corvette ever!

Dateline 2-4-18, Photos by Hans Peter Bohi and GM Archives – This article first appeared in the April 2018 issue of Vette Magazine.

The 1965/1966 Mako Shark-II set down the basic look and proportion for all Corvettes going forward. To understand the Mako Shark-II, we have to get into the mind of GM VP of Design, Bill Mitchell. His task was to see the future and then pull it into reality through his designers and stylists. Mitchell didn’t “draw” a single line of either the Sting Ray or Mako Shark-II, but he knew what he wanted.

The 1982 Collector Edition Corvette finned aluminum wheels are a dead-ringer for the wheels used on the Mako Shark-II and are shod with period-correct Firestone racing tires.

Here’s how Bill commanded his troops; he wanted, “…a narrow, slim, center section and coupe body, a tapered tail, an all-of-a-piece blending of the upper and lower portions of the body through the center (avoiding the look of a roof added to a body), and prominent wheels with their protective fenders distinctly separate from the main body, yet grafted organically to it.”

Mitchell was almost there with the 1962 Monza GT. After the design was nailed down, a full-size, non-running version was built and shown to management in March 1965. It was unanimous; the Mako Shark-II HAD TO BE the next Corvette.

While many of Mitchell’s designed cars had a heavy Italian accent, the Mako Shark-II was a one-of-a-kind original and after 50-plus years is still as head-turner, as Hanspeter’s replica proves!

Continue reading “

Hanspeter Boehi’s REBORN 1965 Mako Shark-II Corvette – VIDEO” →

Inside Bill Mitchell’s Secret Garage – 2 VIDEOS

Published on by Scott

A walk on “hallowed ground” of Corvette design.

Image: GM Archives

Dateline: 11.18.17 – My monthly column in VETTE Magazine, “The Illustrated Corvette Series” is now in its 21st year. I’m in the middle of a series I’m calling, “The Corvette’s Founding Fathers” that covers the careers of Harley Earl, Ed Cole, Bill Mitchell, Zora Arkus Duntov, Larry Shinoda, and Peter Brock. Each of these men played a foundational roll in setting the pattern and personality of the Corvette. Without them, the Corvette might not have survived the 1950s.

I’m now working on installment number three, covering Bill Mitchell that will appear in the May 2018 issue of VETTE Magazine and will be out in March 2018. While researching Mitchell Continue reading “

Inside Bill Mitchell’s Secret Garage – 2 VIDEOS” →

The History of Mid-Engine Corvettes, 1960 to C8: Part 2

Published on by Scott

The 1962 Monza GT – Corvair-based, Mid-Engine Sports Car – Think Porsche 550/1500 RS Spyder and you’re close!

By the early 1960s the Fuelie Corvette, equipped with Duntov’s “Racer Kit” suspension and brake packages, established itself as a solid, dependable platform for a B/Production or A/Production SCCA racer. Several cars had killer reputations on the track, including; the Nickey Chevrolet-sponsored 1959 “Purple People Eater” driven by Jim Jeffords, Dave MacDonald’s “Don Steves Chevrolet” C1 Corvettes, C1s raced by Dick Thompson and Dick Guldstrand, as well as Grady Davis’ 1961 B/Production and 1962 A/Production “Gulf Oil” Corvettes, and others. Setup right, these cars could be unbeatable.
Yet, despite their track success, the European sports car community did not accept the early Corvettes. Why? Because Corvettes were big and heavy, compared to European sports cars. Traditionalists considered Corvettes to be crude, with more in common with a Chevy Bel Air than anything from Porsche, Ferrari, Maserati, Jaguar, Aston Martin and other low-volume European exotics. Corvettes were “mass produced” while European sports cars were “hand-crafted.” This perception did not go unnoticed inside Chevrolet, and some were thinking of a “Plan B” for the Corvette.

The Monza GT and the Monza SS roadster were never intended to be replacements for the Corvette. After all, the basic platform was the rear-engine Corvair. Now before you go, “Puke! Puke!” lets go back to 1957 for a brief look at where the Corvair came from, Chevrolet General Manager, Ed Cole’s aggressive and innovative, “Q-Chevrolet” line of cars. Continue reading “

The History of Mid-Engine Corvettes, 1960 to C8: Part 2″ →

10-5-65 The Running Mako Shark II Was Shown To The Automotive Press – WOW!

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October 5, 1966, the Running Mako Shark-II Debuts at the Paris Auto Show

Mako-Shark-II-1Forty-Nine years ago today, October 5, 1965, the automotive press got to see the first, running Mako Shark-II show car at the Paris Auto Show in France. The non-running full-size model of the Mako Shark-II had been shown in April ’65 at the New York Auto Show and was a knock-out. The response was so overwhelming, Chevrolet brass quickly decided to build a running prototype for the next phase of development.

As V.P. of Design, Bill Mitchell laid out what he wanted the next Corvette to be. See if you can follow this.

He wanted the following; “a narrow, slim, center section and coupe body, a tapered tail, an all-of-a-piece blending of the upper and lower portions of the body through the center (avoiding the look of a roof added to a body), and prominent wheels with their protective fenders distinctly separate from the main body, yet grafted organically to it.” Continue reading “10-5-65 The Running Mako Shark II Was Shown To The Automotive Press – WOW!” →

NEW Mako Shark Tribute Art Print From K. Scott Teeters

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Dateline: 1.25.12

A Salute to the design the set the style for America’s sports car, the Corvette.

It’s only been a week or so since the photos of a disguised C7 Corvette surfaced and already the critics are weighing in. One report commented that the profile and proportions look too much like the current C6. And therein lies the designer’s dilemma when it comes to designing a new Corvette. The new design has to “look like a Corvette,” but has to “look new.” This isn’t a new problem actually. But before we come down on the Corvette design team too harshly, we should all just breath… and be patient. Those disguised cars always look bad.

But, there is no doubt that the Corvette’s image will forever be locked into the design that goes all the way back to 1963-1964 when GM’s VP of Design, Bill Mitchell charged his designers with the challenge to, “Design a “narrow, slim, ”selfish” center section and coupe body, a prominently tapered tail, an “all of one piece” blending of the upper and lower portions of the body, prominent wheels with protective fenders, distinctively separate from the main body, yet gaffed organically to it.” The end result was the Mako Shark-II. Continue reading “NEW Mako Shark Tribute Art Print From K. Scott Teeters” →

1974 Maco Shark Corvette Build Project

Published on by Scott

Dateline: 1.21.1

So, you want to build yourself a Maco Corvette? Get your work clothes!

We were very pleased with the response to our Mako Shark Attack Week from the beginning of January 2012. I first saw the Mako Shark-II back in ‘66 and thought it was the most stunning car I’d ever seen. It looked like what I had imagined “cars from the future” would look like. Obviously, I wasn’t the only one that was touched, moved, and inspired.

The Cliff Notes version of the Mako Shark-II story is this. Chevrolet blows minds with the non-running Mako Shark-II at the  New York World’s Fair in 1965. The crowds went wild and told Chevrolet, “We want one!” And Chevrolet said, “We’ll get right on it!” The running Mako Shark-II with it’s big 427 big-block engine was just “out’a sight!” But when the Mako Shark-II-inspired ‘68 Corvette came out, some said, “What’s that? That’s not a Mako Shark!” One guy took it upon himself to build his own Mako Shark-II body for the new Corvette. John Silva’s “Maco Shark” Corvette body kit filled the void that Chevrolet created. Silva’s Maco kit got the attention of Motion Performance’s Joel Rosen, who had recently unleashed his Phase III GT Corvette, and was looking for something even more exotic to offer his Motion customers. Rosen and Silva made a deal and the rest is history. Motion and Silva made a few turnkey Maco Sharks and sold LOTS of body kits and parts.

Same basic body kit as the photo on the top. Who knows what happened, but something went terribly wrong with this poor Maco Shark.

The kit car industry has come a long way since the ‘60s when Meyers-Manx, Fiberfab, Silva, Motion, and others were selling kits. The nature of kits cars is that most are never completed, with electrical issues usually being the number one issue. What it comes down to is that for a kit car to turn out great, you need excellent craftsmen and a fair amount of cash. A fully-functional kit car can be as complicated as a manufactured car. Continue reading “1974 Maco Shark Corvette Build Project” →

Mako Shark Attack Week!!! The Running 1966 Mako Shark-II

Published on by Scott

Dateline: 1.4.12

The Non-running Mako Shark-II totally jazzed GM’s management, the RUNNING Mako Shark-II was mind-blowing!

While the non-running Mako Shark-II was dropping jaws at the ‘65 New York Auto Show, there was one major project and one minor project in the works within the Corvette design group. The engineers and stylists were jam’n trying to figure out how to translate the show cars body shape to fit into a car that could be mass produced. What perhaps looked like a no-brainer turned out to be not so easy.

Even though the new production Corvette would use the existing frame, suspension, engine/transmission, and drive train from the then-current Sting Ray, getting everything to fit within an even tighter package was a major challenge. There were issues with front and rear bumper requirements, headlight height and configuration, interior ergonomics, and forward visibility of those gorgeous front fender humps. Getting the design right, plus making all of the parts for tooling was impossible to accomplish in one year for the new design to be a ‘67 model. It’s surprising to me that GM’s upper management couldn’t see that. Another year was added to the development schedule and in retrospect, it should have been two years.

The minor project on the Corvette design team’s plate was to produce a running version of the Mako Shark-II. If you think the production C3 Corvettes were tight, take a close look at the image of the running Mako Shark-II in front of a preproduction ‘68 Corvette. And note how Bill Mitchell towers over the Mako Shark-II. And Mitchell wasn’t a big tall fellow either. The shot of Mitchell getting into the Mako Shark-II shows him slightly bent at the knees. No, the Mako Shark-II was a tiny Corvette. But the shape is brilliant and is a classic example of Mitchell’s ability to style and shape the proportions of a car such that a smallish car looks much bigger without any size reference. Take a look at Mitchell’s early Buick Riviera by itself and than next to a full-size car and you’ll clearly see that the Riviera was not a big car, it just had big car proportions. Continue reading “Mako Shark Attack Week!!! The Running 1966 Mako Shark-II” →

Mako Shark Attack Week!!! The 1965 Mako Shark-II

Published on by Scott

Dateline: 1.3.12

A Look Back At the First of Bill Mitchell’s STUNNING Non-running Mako Shark-II Corvette Concept Car

No sooner had the‘63 Corvette Sting Ray been released, Bill Mitchell was at it again with another one-of-a-kind concept car. Never one to rest on his laurels, (you know the saying, “He who rests on his laurels, gets knocked on their rears!”) Bill went for something really far out. Now, it’s essential to know this first. Mitchell was often the generator of ideas, but didn’t necessarily pen out all of the details. That’s where the “stylists,” such as Larry Shinoda came in. So, if you were a stylist/designer, how’d you like to get an assignment like that?

Bill told his designers he wanted the following; “A narrow, slim, center section and coupe body, a tapered tail, an all-of-a-piece blending of the upper and lower portions of the body through the center (avoiding the look of a roof added to a body), and prominent wheels with their protective fenders distinctly separate from the main body, yet grafted organically to it.” That’s all. Or as my grandmother used to say, “Yea, clear as mud!”

As his designers and stylists came back with their sketches, Mitchell would art/design direct from there. “I like this… I don’t like that… More here… Less there… That’s not it…That’s it…” etc. It seems that Mitchell had a vague notion of what he wanted and directed the design process. It’s also worth remembering that the design of a single Corvette concept car was just one of MANY design projects that Mitchell was responsible for. Continue reading “Mako Shark Attack Week!!! The 1965 Mako Shark-II” →

Vette Videos: SUPER RARE, One-of-a-Kind 1972 Motion Moray Eel Corvette

Published on by Scott

Dateline: 9.15.11
 The last of Joel Rosen’s Shark Corvettes – The Moray Eel

As cool as the Mako Shark-styled production 1968 Corvette was, there were a few that were… disappointed. Why, you wonder? Because the ‘68 Corvette WASN’T the ‘65-’66 Mako Shark II show car. Making a show car is one thing, designing a car to be mass produced is another. While the Mako Shark II show car looked large on the stage, it was actually about 7/8s the size of the production Corvette. In other words, a VERY tight little package that could not directly translate into a production car.

But it was fiberglass man, John Silva that took it upon himself to make his own Mako Shark. “Kit cars” were all the rage in the mid-to-late ‘60s. Meanwhile, on Long Island, New York, Joel Rosen was building ground-pounding big-block Phase III Chevys and was looking for something really exotic to offer his Corvette customers. Rosen bought two complete Silva Maco cars and got permission from Silva to make molds off of the Silva parts to make his Motion Maco kits. The Maco kits were kind of a “love it, or hate it” thing. It wasn’t quite as svelte as the Mako Shark, but for many, it was close enough.

For creative types, such as Rosen, the mind never stops. In the early ‘70s Joel was on a roll with his “shark-thing.” His Motion Maco Shark burst on the street scene in ‘71, quickly followed by two interesting variations. The Manta Ray featured the front end of the Phase III GT with its distinctive tunneled headlights and Continue reading “Vette Videos: SUPER RARE, One-of-a-Kind 1972 Motion Moray Eel Corvette” →

Barn Find Maco Shark Corvette at 2011 Corvettes at Carlisle Show

Published on by Scott

Dateline: 9.6.11
 A rare Silva short-tail Maco Shark goes from orphan barn find to show car beauty!

Every year the Corvettes at Carlisle show has a theme. The theme for the 2011 Chip’s Choice Display was “Barn Finds.” Who doesn’t love an old barn find story? It’s a topic that cuts across all car interests. Today, barn finds have become a special interest category of its own. It seems that barn finds have sifted out into two groups. First there are the cars that look like they were just taken out of the barn – dirt and everything. What was once decades of dirt, blistered paint, animal droppings, sticks, and twigs has now become “patina.” And second are the cars that a normal human would have let rot back into the earth, only to have been beautifully and lovingly restored back to running and sometimes show car condition. For these cars, the “before and after” photos are a lot of fun. “You started with THAT?” Is a common comment.

Here at CorvetteReport.com and BaldwinMotionReport.com we’re a little partial to not only Baldwin Motion Phase III Supercars, but also the Motion Maco and Silva Maco Shark Corvettes. Unfortunately, there are probably more barn find-type Macos than there are finished and running Macos. it’s just part of the nature of kit cars. While Motion offered turn-key Macos, Motion and Silva also sold the body kits. As is the case with all kit cars, about 80-percent of the kits are never finished. What usually stops project kit cars are electrical systems.

While any barn find car being nursed back to health can be a daunting task, a kit car barn find is definitely a few notches up on the difficulty scale. That’s what makes Rick Walker’s 1976 short-tail Maco Shark so interesting. Like a typical barn find car, the Maco had been left out in the elements (in this case, the blistering Florida sun) and had been through several floods, such that the radiator had about 6-inches of sand inside the core, as well as sand packed into the frame and suspension. Although the primer and paint was in bad shape, the fiberglass was unmolested. At one point, the city of Sarasota declared the derelict Vette an eyesore and required the owner to erect a stockade fence so the neighbors wouldn’t have to look at the hideous sight. (that is, from THEIR perspective!)

 

 

After three years of work and unspecified expense, (Walker did all the work himself) the Silva short-tail Maco Shark Corvette is now a street machine/show car! All Maco Corvettes are technically “kit cars,” so they are all different,.Walker’s Maco maintains the classic Bill Mitchell “Shark” blue with faded light gray, simulated shark coloring and the unique nose vents. “Custom” touches include Continue reading “Barn Find Maco Shark Corvette at 2011 Corvettes at Carlisle Show” →